Well, "it only ends once. Everything before that is just progress." The producers of Lost weren't just explaining Jacob's theory of human growth, they were showing us their philosophy of story telling. Also known as, "it's all about the journey, man."
I got pretty torn up by this episode, and it had a lot of poetic stuff. The "awakenings" in the sideways were a sweet and well done way of revisiting and saying good bye to all those Losties we came to love. I really liked the ending with the plane taking off and Jack's eye closing, even though it was a mirror image that we couldn't help but see coming. I think they must have used shots of mirrors about 108 times in season six.
In "The End", Jack lived together, and he didn't have to die alone. Kate, Sawyer, Claire, Miles, Richard and good ol' Frank Lapidus all survived and escaped the Island forever. Hurley and Ben stayed behind to become the new Jacob and Richard - but with their own set of rules, dude. I guess Desmond stays with them too? I suppose that was his sacrifice. Rose and Bernard will live out their days in an Island paradise. And at the end, almost every other character in all of Lost was dead. (Uh, Walt? Aaron? Oh, nevermind!)
But we all die sometime, and most of the Losties met up in the Island's waiting room, in a Unitarian church, so they could all go together to their next stage of existence.
The root of it all, was that Jacob needed someone to kill his brother. Because of the rules that were established by Mother, Jacob is not supposed to hurt him. And because Jacob turned him into a smoke monster, the Man in Black was incredibly powerful and resistant to most damage. The only solution would be to shut down the magic of the Island, turn MiB back into a mortal, and then kill him.
Apparently, for over 2000 years Jacob recruited people to the Island trying to find his candidates, and who knows how many lives he altered. For instance, he might have manipulated the Shephard family for generations, who knows? In 1867 Magnus Hanso crashed on the Island, and in the 1970s his great-grandson returned to build the Hatches, seeking to stave off the end of humanity. Coincidence, or fate? Hard to say.
But what DHARMA never figured out, nor the Others (because Jacob never told anyone but the final candidates) was that the true danger was from his brother, the Monster. The Man in Black wants off the Island, and Jacob believes his escape could threaten the existence of everyone in the world. We'll never know if that's true, or just what Mother told him. In the end, it's possible that everyone lived and died because of a sibling rivalry that had no other consequence on the rest of the world.
Anyway, just as the Man in Black had a plan to kill Jacob, his brother had a plan to get his revenge. And Jacob's master plan involved an assassin and a fail safe, as well as a replacement. By pulling the plug on the Island's source of power, Jacob could turn his brother back into a mortal but the Island would sink. So, like something out of one of those point-and-click adventure games, he had to assemble his team and his tools. Jacob's candidate would learn how to kill the Man in Black - once the water was drained.
Whoever went in there at the end was doomed, so Desmond was there to take the first plunge into the water and pull the plug. Then, Jack battled and killed the Monster, and returned to the Source. Before he went to face his destiny, Jack anointed the new Island protector: Hurley. Then, he put the plug back in and fell into the pool, saving the Island and maybe all of existence.
The Source is protected, the Monster is destroyed, and the world goes on turning.
It's not quite the end of the story though. Some power granted the Losties a reward for their struggle.
There are dozens of ways to look at this. It's so vague, any viewer can come to their own conclusions. It's sort of a masterpiece of vagary. Here are some of the ways I like to look at the ending of Lost.
The Time Loop/Nirvana Theory: these characters have been born, struggled, and died, many times before. Each time, they battled against evil incarnate, and each time evil destroyed the universe, snuffing out all life. Then the cycle starts again. This time, Jacob finally managed to line up the proper candidates to defeat his brother. Then, the cycle started over again anyway. That's the sideways. It wasn't until each of the key candidates could "Let go" that they were able to stop the wheel of life, and move into the light together. They basically achieve Nirvana, and never have to be born again into struggle. Ben, Mrs. Widmore, Ana Lucia and the rest who we saw were "not ready" will have to go through another cycle, and hope they learn the lessons of the Island
We All Join Together: Throughout each individual's life, every person we meet makes an impact on us. Some people are truly special to us, and there are certain moments in life that make up the core of who we are. Those bonds are bigger than life, and tie us to the spirits of everyone who was special in our lives. When we pass on, we're united with a part of each of their spirits. And a part of us goes to bond with each person we knew, in their own special "sideways".
Island Reward Theory of Purgatory: The Island holds the power to eternal life. It creates a reality that's a holding area for all the souls who pass over it. Those who are "ready" move into a golden paradise together. Those who are not get to stay in the sideways. This is their reward (or consolation prize) for being pulled into the struggle to defend the light.
We could go on and on with this. The Island could be a living creature, somewhere between X-Factor's Ship and a Cylon Raider. It crashed on Earth a long time ago, and the original protector was an alien. Humans have been recruited to defend the ship, and a few were granted unnaturally long lives by some alien technology. Other technology onboard inspired human civilization, or leaps in technology like the Industrial Revolution. I mean, take it wherever you'd like to go with it. The producers left it astonishingly wide open.
At the end, Lost was never really anymore than what was presented at the beginning. A group of characters with "issues" all struggling to find redemption. It was generally about life and death, fate and free will, faith vs. science and all those other things. But in such broad strokes and sweeping generalizations, the writers completely failed to take a stand or say anything meaningful about any of it. "It's all about the journey, man."
I spent a lot of time writing about Lost, theorizing and trying to draw conclusions from the mess of a story. Even right up until the end, I thought I might be writing about it for a while. Picking apart little details as I tried to make sense of the whole story. But overall, Lost is so vague, so wide open, I'm not sure it will reward further viewing. I hope that with a little time, I'll be drawn back to the stories and characters I loved so much for all those years.
But in the end, it all seems empty. Each season was it's own little play, with new characters, plots, sets, and the rest - all swept under the rug because they kept writing themselves into corners. A series of repeated actions, images, and themes that add up to nothing but repetition for the sake of keeping things going. (Although, a lot of those images were pretty cool)
All through season six of Lost, I've been watching old episodes of Star Trek: The Next Generation which is full of stories about time travel, alternate "pocket" universes, situations where something is "not quite right" and the characters must follow clues that lead them back to their "real" lives. All season I've been saying "Oooh, Lost could end with something like that!" And now when I watch an episode, I think, "Ohhh, Lost could have ended with something like that!"
For instance, I watched the episode "Clues" which more than ever reminded me of Lost. After the cold open, the characters are all unconscious on the ship. They wake, and it seems only thirty seconds have passed, but small details: an experiment that kept running, a clock that's out of synch, a transporter trace - all point to a period of "missing time".
The intrepid crew of the Enterprise gets right on the case. Everyone shares data, and they quickly assemble an outline of the events. They figure out there was an alien intervention, and Picard gets this great speech:
"The plan failed because clues were left behind that suggested a mystery. (there were) little pieces of evidence that suggested even more clues. And to many humans, a mystery is irresistible. It must be solved..."
It's great, watch it:
Ohhh, if only Lost had ended with something like that.
Clearly, the characters of Lost are not like the characters on Star Trek. No one on Lost seemed particularly curious, or interested, or helpful. For the most part, they weren't very likable. In the end, the producers told us that the mysteries we all found so irresistible were actually irrelevant. "It's all about the journey, man."
I feel like it was a bait and switch. I hoped for a group like the crew of the Enterprise. In season five the producers said they were going to "let our geek flag fly" when they introduced time travel. I hoped we were heading toward an ending more like that episode of Star Trek - the characters we love striving to make sense of things, and learn what it's all about. Instead, it feels like a generic multi-faith cop out that failed to address the majority of the story they had built up.
I feel so incredibly disappointed. Maybe one day I'll feel different. I don't know. But, I once set out to make the stupidest, mysterious short film I could think of, with a twist ending that was so dumb it invalidated the entire story, yet almost made sense.
Guess what I chose as my ending:
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- MBP
- I'm a tech geek who soaks up information like a sponge. I like the usual geeky stuff like comics, movies, sci fi, computers and video games.
Wonderfully written. Interestingly, I understand and agree with every one of your thoughts, yet at the same time, I was satisfied with the ending. I guess I figure if they went through and checked off each mystery one by one, all the mystique of LOST would have vanished, rendering the series un-re-watchable. (I made a new word!)
ReplyDeleteAnyway, thanks for all of the poignant, insightful blogs you have written over the years. I wonder if maybe, the end of MBPedia's LOST blogs is bittersweet in itself; the journey into the mysteries of our favorite show has come to a close.
Next up? Breaking Bad?
Here are some of my thoughts, based on what you wrote:
ReplyDeleteAll About the Journey – Excellent comparison to the writer’s mentality. And I agree that both this idea and Darlton’s defensive catchall that they “told the story they wanted to tell” are, to a certain extent, copouts. But in the end, it really WAS about the journey. More specifically, it was about Jack’s journey from reluctant hero to broken man to willing savior. And for me, Jack’s complicated arc was one of the better versions of this story in recent pop culture (because, as I’m sure Darlton would be the first to admit, this is the oldest tale in the book). At times, it was messy, narratively and creatively, but at the very least, it felt hard-earned.
Vague Purgatory Ending – I find it interesting that you think there are dozens of ways to look at the Sideways reveal, not because I think it’s self-explanatory, but because many people, my girlfriend and Chuck Klosterman chief among them, thought it wasn’t ambiguous enough. Of the theories you postulated, I tend to gravitate toward the most obvious, We All Join Together answer, primarily because I personally find that idea very appealing. But here’s what I like the most about the ending: Genre-wise, Lost leans heavily toward mystery. And the biggest mystery of them all – a mystery that has driven us as a species since we became self-aware, and has really been the invisible hand guiding all of civilization toward every end we’ve achieved – has been the mystery of what happens after we die. Even if it wasn’t successful for everyone, I have to respect Lost for having the courage to directly address it.
“It was generally about life and death, fate and free will, faith vs. science and all those other things. But in such broad strokes and sweeping generalizations, the writers completely failed to take a stand or say anything meaningful about any of it.” – While I support your thesis, I disagree with your conclusion. For me, a big part of the appeal of the show was the way it overtly introduced these complicated ideas, forcing you to think about where you stand on them, but I’m glad didn’t supply cheap, definitive answers one way or the other. The light in the cave was clearly of an electro-magnetic nature (hence Desmond’s unique immunity to them) but it was also of a meta-physical/ spiritual nature. Which one? You decide. And yes, I just said that I’m happy that they didn’t supply us with answers.
However, they really should have supplied us with more answers, if not to those of an ontological nature. Answers like; why can’t women conceive then bear children on the island? What is the magic box? Why did Claire up and leave the crew to hang out with Christian in the cabin that was never explained? Why did the Others insist they are the Good Guys? What are the rules and who makes them? Why did Jacob’s touch have the power to bring people to the island and how was he able to know the future? And a few more…
http://www.collegehumor.com/video:1936291
I could not agree with you more that the writers absolutely painted themselves in a corner, and that in retrospect, it’s clear they were making up a bunch of shit as they went along, without ever knowing how or when they would resolve it. However, I feel that in a season that gave the Smoke Monster a speaking part, the biggest creative gambit they made might have been their choice to leave all of these loose ends out there for fans to debate in perpetuity (and I’m quite sure withholding answers to several of the big questions was a choice). Part of me respects this because A) I plan on turning out a minimum of 2 novels worth of Lost Fan Fiction, and B ) when they did explicitly give answers (the Whispers, Adam & Eve) they were largely underwhelming.
ReplyDeleteBut what bothers me more than gaping plot holes or loose ends is this; I know a lot of people who were waiting for the entire series to end so they could plow through it at their leisure. And when they confront me as a Lost junkie, excited as can be about the introduction of a compelling mystery, and I know that this question, along with dozens of others, will never be answered, the pit of my stomach will hurt. These people aren’t looking to theorize; they want answers and they won’t get them.
Nevertheless, either because I’m quixotic or eager to pull the I told you so first card later, I am going to go out on a limb and say that I think the show’s creators are planning to answer several of the big questions in a series of comic books or novelizations (but most likely comic books). And I’m good with that because if Across the Sea taught us anything, its that it’s hard to give a shit about the dramatic stakes involving characters whose origin is somewhere around the first commercial break. Comics would be a great format to introduce new characters who are necessary to understanding the mythology of the island, yet wouldn’t have worked in the context of the television series. And if they’re not going to do it, I may just have to spin that frozen donkey wheel myself. (I was only half-kidding about that fan fic joke. And to ABC’s lawyers who will invariably try to shut down my awesome origin of the Others 6-part comic series, I’ll have a simple reply – Don’t tell me what I can’t do!)
“No one on Lost seemed particularly curious, or interested, or helpful. For the most part, they weren't very likable.” – I could not disagree with you more, but this is subjective. There were a few characters, not counting those who were written intentionally to chafe us, that I disliked, but I found almost everyone in the series appealing, complicated, believable, and, to various degrees, relatable.
And for me, the enjoyment I got out of spending 6 years with these characters, tracing their development and getting caught up in their exciting adventures, more than makes up for any disappointment I felt about the lack of answers. Season 6 may have been somewhat of a creative missed opportunity, but it was still an opportunity for one last go-around with an incredible cast of diverse characters. The final sendoff they received made me feel like the journey was worth it.
And I can’t wait to see your short film.
I had mixed feelings about the ending but was far more ok with it than the conclusion to "The Sopranos." My first impression was that it was about resolving emotional issues and tying up the more soap-opera-esque aspects of the show to satisfy all of those emotional dummies who were just watching to see if Jack would win Kate over for good (I certainly was a closet Kack booster, and I want Sookie and Bill to phuck 4-evar). I was a little offended initially, fancying myself a fine connoisseur of the show's mysterious, philosophical, metaphysical, and science-orgiastically-entangled-with-the-supernatural aspects, but I found myself tearing up quite a bit and wasn't all that disappointed when it was over.
ReplyDeleteMy experience is significantly biased by the fact that I never watched the show up until a couple of months ago, and watched it in 2-3 episode binges on Netflix over the course of those months. I don't have six years of buildup and waiting a week between mini-cliffhangers and waiting months between the big ones. I did experience "The Sopranos" in that frustrating fashion and perhaps that explains part of the discrepancy in my reaction to both finales.
I can definitely appreciate the open-ended aspect of most of the show's mysteries. It's amusing to see how passionately people subscribe to certain theories (which they often think they themselves are the first to have conceived) -- it makes people think about a rather complex tapestry of symbols and feel clever and smart, which for the most part is a good thing.
As an example, when I read Mark's sentence regarding the island's firm stance on birth control, I thought "*of course* it's due to the magnetism and humans have evolved to live around a mostly stable magnetic field of X strength and Y frequencies and we're probably quite shockingly dependent on this, and that's going to be one of our greater challenges when it comes to long-term space travel and colonization of other worlds, if that ever happens." Took me a second to step back and acknowledge that was only one of eight trillion possible explanations.
There's definitely a shitload of "Creative Writing / Literature Analysis 101" going on and I liked it. It was more enjoyable than potificating over the symbolism in the "Red Badge of Courage" or what have you yet as pseudo-guiltlessly stimulating as any typical "educational" fare on today's "History" channels.
Sometimes it reminded me of Dr. Octagon...I'm a big Del / Deltron 3030 fan and someone tried to get me into Kool Keith / Dr. Octagon awhile back, because he too had a nerdy concept album rich with sci-fi imagery. But to me, his "geeky" rhymes seemed needlessly contrived and senseless, while I found far more richness, meaningful metaphor and down-to-earth "ain't I smart 'cause I like this" enjoyment in Del's dorky-smooth lyrics.